Journal

Tony Cragg “I am not a conceptual...

29.01.24

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Interview taken in 2017.

Technology and humanity: Vernissage exhibition in Dubai

11.10.23

I’m Enough. Interview with Alina Tacmelova

23.08.23

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Alina Tacmelova

Richard and Tatiana Zalan, founders of the...

30.07.23

Zsombor Barakonyi: "Art is becoming as popular...

25.04.23

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Zsombor Barakonyi

Black holes and cosmic peace: the spatialism...

19.03.23

Feminism in art

18.03.23

15.02.23

Text: Marina Alvitr

The Pope Struck by a Meteorite and...

04.02.23

Shock and meta-irony: Haute Couture seeks a...

02.02.23

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Text: Marina Alvitr

Louis Vuitton x Yayoi Kusama: do we...

12.01.23

Text: Marina Alvitr

Society and the art of network

30.12.22

Text: Marina Alvitr

A year in art. 2022nd. Results

26.12.22

Record sales of 2022

24.12.22

21.12.22

Text: Marina Alvitr

Why are we scared of metaverses?

19.12.22

Manipulation of desire. How do auction houses...

17.12.22

Feedback principle. Why is it good to...

10.12.22

What's in the collection of the owner...

08.12.22

The art of high technology by Elon...

04.12.22

Artemis Potamianou: It is very important to...

27.11.22

25.11.22

21.11.22

Destroy Van Gogh for the sake of...

20.11.22

Text: Marina Alvitr

Millennial collectors and their approach to art

19.11.22

Demosthenes Davvetas: Now there is a fight...

15.11.22

Private Club or How the Secondary Art-Market...

08.11.22

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Center of London. I'm standing in the kitchen of the apartment of the art critic and art historian Geraldine and...