Journal

I’m Enough. Interview with Alina Tacmelova

23.08.23

Authors:

Julia Luzina, ...

Richard and Tatiana Zalan, founders of the...

30.07.23

Authors:

Zhurzhina Anna, ...

Zsombor Barakonyi: "Art is becoming as popular...

25.04.23

Authors:

Zhurzhina Anna, ...

Black holes and cosmic peace: the spatialism...

19.03.23

Feminism in art

18.03.23

15.02.23

Text: Marina Alvitr

The Pope Struck by a Meteorite and...

04.02.23

Shock and meta-irony: Haute Couture seeks a...

02.02.23

Author:

Text: Marina Alvitr

Louis Vuitton x Yayoi Kusama: do we...

12.01.23

Text: Marina Alvitr

Society and the art of network

30.12.22

Text: Marina Alvitr

A year in art. 2022nd. Results

26.12.22

Record sales of 2022

24.12.22

21.12.22

Text: Marina Alvitr

Why are we scared of metaverses?

19.12.22

Manipulation of desire. How do auction houses...

17.12.22

Feedback principle. Why is it good to...

10.12.22

What's in the collection of the owner...

08.12.22

The art of high technology by Elon...

04.12.22

Artemis Potamianou: It is very important to...

27.11.22

25.11.22

21.11.22

Destroy Van Gogh for the sake of...

20.11.22

Text: Marina Alvitr

Millennial collectors and their approach to art

19.11.22

Demosthenes Davvetas: Now there is a fight...

15.11.22

Private Club or How the Secondary Art-Market...

08.11.22

Text: Marina Alvitr

Platforms: contemporary art as a collective experience

22.10.22

The Platforms Project 2022, an independent international art exhibition held annually in Athens, ended on October 16th

Art Fair Frieze London 2022: Results in...

18.10.22